refracted
a group exhibition by 10 Bali-based visual artists.
2 May - 1 July 2026
No one–not even the artist–is ever powerful enough to shed everything that ties them to childhood, to place, to the world they were shaped by. One may discard what clings only to the surface of consciousness, but much has seeped too deep–into the nerves and beneath the awareness.
—Sanento Yuliman
Art is the declaration of experience. A mountain may be painted a hundred times over, yet each rendering carries its own story, its own interpretation, its own psychological weather. We, as human beings, never truly see the same thing twice. What Sanento affirms is exactly that our way of seeing–includes as artists, is always entangled with memory, experience, and the life that has made us who we are.
In artistic practice, perspective does not always arrive as a straightforward way of looking at things visually. It is, at its core, a lens that allows us to process an event from many angles and landscapes at once. From this emerges a multiplicity of perception—conclusions drawn from the accumulation of experiences that shape how we understand the world. Then, the truths we hold—even in this very moment as we read these words—exist because of perception.
In this sense, art offers a bridge, one that opens up new and sometimes strange, unfamiliar ways of seeing, yet proves remarkably capable of touching what has long been kept at a distance. The ten artists gathered within this exhibition arrive through vastly different ways of seeing, each carrying their own distinct sensibility. Each one is adept at bringing forth realities that may appear, at a glance, to resemble one another, yet reveal themselves as entirely different worlds once you step inside.
Through Refracted, perspective no longer dwells in certainty but instead, it dissolves into a fluid field of interpretation. Each work becomes a medium that bends experience—fracturing it, then shifting it across an expanse of possibilities. Each artist appears at times to leap beyond the boundaries of form that have long become their habitus. These gestures do not arrive as acts of defiance, but as a means of endurance in translating sensations of experience that now feel ever more rapidly in flux. From there, we are invited to slow down and make peace with the traces of a life that has never been free from change. A Reminder that uncertainty is not something to be conquered, but to be inhabited as a reality that has always walked beside us, and in many ways, it is this very feeling that shapes how we see, sense, and understand the world.
Written by Made Chandra
Artists:
READ THE FULL WRITING IN E-CATALOG
READ THE FULL WRITING IN E-CATALOG
Artifacts hold traces of life. They carry memory, belief, and gesture across time. In archaeology, artifacts help us understand how people once lived. In digital culture, artifacts appear as glitches, compression marks, and visual noise. Yudho reflects on how faith, doubt, silence, and longing move through a culture where images travel as data and value.
Yudho’s practice developed alongside NFT platforms and art on the blockchain. In that environment, images exist as tokens, transactions, and entries in a decentralized ledger. They circulate globally within seconds, shifting between ownership and speculation. He experienced this space from within and observed how digital works gained visibility and economic exchange, while questions of meaning and presence remained open. Within this networked condition, spiritual journeys also take place. People seek meaning, connection, and affirmation in digital space, sometimes with clear intention, sometimes without realizing it. Screens become sites of reflection, projection, and belief.
Yudho creates his animated drawings through a slow digital process. He draws manually on a tablet, using only white dots or pixels against a pitch dark background. He builds the animation frame by frame. The dots gather and disperse, forming lines that swirl and rotate in response to his hand gestures.
Spiritual tension guides his visual language. He sees digital precision and errors as signs of vulnerability within technological systems. Just as belief contains moments of uncertainty, digital images contain fractures. Yudho enlarges these fractures. He layers fragments and builds monochromatic images that feel meditative and restrained.
After years in the digital space, Yudho brings his animated language into physical vessels. The swirling white pixels now settle into material form. ARTIFACTS presents digital remnants as spiritual records shaped by faith, technology, and value.
Written by: Azizi Al Majid
opening night of Artifacts- solo exhibition by Yudho